{"id":2377,"date":"2017-06-19T11:57:14","date_gmt":"2017-06-19T09:57:14","guid":{"rendered":"http:\/\/twissen.com\/?p=2377\/"},"modified":"2022-01-21T11:32:55","modified_gmt":"2022-01-21T10:32:55","slug":"5-tips-to-design-a-competitive-proposal-under-the-tourism-call-of-cosme","status":"publish","type":"post","link":"https:\/\/twissen.com\/en\/trends-en\/policies-funding\/5-tips-to-design-a-competitive-proposal-under-the-tourism-call-of-cosme\/","title":{"rendered":"5 tips to design a competitive proposal under the tourism call of COSME"},"content":{"rendered":"

The new call for proposals \u201cSupporting the Promotion and Development of Transnational Thematic Tourism Products Linked to Cultural and Creative Industries<\/a>\u201d, whose deadline is on the 29th<\/span>\u00a0June of,\u00a0published under the COSME 2014-2020 Programme, provides several innovative starting points, interesting linkages\u00a0with cultural and creative enterprises and with new technologies<\/a>, specifically\u00a0the augmented and virtual reality.<\/p>\n

Considering the limited budget provided by the European Commission, the call can be considered highly competitive. For this reason, at Twissen we collected some tips to\u00a0best\u00a0design the proposal<\/p>\n

1. Stay relevant\u00a0<\/strong><\/p>\n

The call is very specific about a transnational tourism product which has to be linked\u00a0both\u00a0to the tangible movable\/immovable\/underwater cultural heritage, and\u00a0to the intangible cultural heritage.<\/p>\n

Some examples can be found in theatres, archaeological sites, ruins, historical cities, but also local cuisine, handicrafts and rural life.<\/p>\n

It is\u00a0required\u00a0that the cultural <\/b>assets<\/b> has<\/b> to be <\/b>linked<\/b> to one or more UNESCO <\/b>sites<\/b>.<\/p>\n

2. The theme\u00a0<\/strong><\/p>\n

The transnational tourism product has<\/b> to be <\/b>thematic<\/b>.<\/b><\/p>\n

So, being too generic, as it\u00a0happens\u00a0sometimes, is not positive\u00a0and\u00a0it does not allow\u00a0to clearly identify the tourism product.<\/p>\n

Since the conception phase, it is useful to specify all the connections with the enterprises of the cultural and creative industry, and, most of all, with other tourism segments.<\/p>\n

3. Technology\u00a0<\/strong><\/p>\n

The augmented and the virtual reality solutions are increasingly expanding in the Travel & Tourism industry<\/a>, with different modalities and functions.<\/p>\n

The call specifies that the combination\u00a0with technology has to be designed to enhance the tourists’ experience and to support the promotion of the tourism product.<\/p>\n

4. Be focused\u00a0<\/strong><\/p>\n

Even if the call does not specify it, we think that target-<\/b>tourists<\/b> need<\/b> to be <\/b>well<\/b> identifie<\/b>d<\/b> and described, proving that\u00a0their needs and expectations are clear. At this point, the proposed\u00a0actions need to be coherent.<\/p>\n

Staying to vague causes a loss in credibility.<\/p>\n

5. Partnership\u00a0<\/strong><\/p>\n

The set of involved partners is for sure one of the most important aspects of a competitive proposal. The main partner has to prove\u00a0an appropriate experience, but generally the consortium must highlight a balance in terms\u00a0of skills, nature (public and private) and geography.<\/p>\n

Roles and tasks must\u00a0be clear, but it is also important to elaborate from the\u00a0beginning how to prove the sustainability of the project after the co-funding period.<\/p>\n

At Twissen<\/b> we analysed the call for proposals \u201cSupporting the Promotion and Development of Transnational Thematic Tourism Products Linked to Cultural and Creative Industries\u201d, that introduces\u00a0some interesting innovations to be\u00a0developed\u00a0in the proposals. The projects\u00a0must\u00a0be quality-oriented, and must\u00a0clearly define\u00a0all the required aspects, in particular\u00a0the transnational tourism\u00a0product.\u00a0Applicants should\u00a0to read the call carefully, and compare the proposal with all the evaluation criteria which are specified\u00a0in point 9 of the call.<\/p>\n","protected":false},"excerpt":{"rendered":"

Some useful tips to design at best a proposal for the EU call on transnational tourism products.<\/p>\n","protected":false},"author":2,"featured_media":7039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[125],"tags":[904,862],"yoast_head":"\n5 tips to design a competitive proposal under the tourism call of COSME | Twissen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/twissen.com\/en\/trends-en\/policies-funding\/5-tips-to-design-a-competitive-proposal-under-the-tourism-call-of-cosme\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5 tips to design a competitive proposal under the tourism call of COSME | Twissen\" \/>\n<meta property=\"og:description\" content=\"Some useful tips to design at best a 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